Synopsis: Fellini's fascination with the circus and the surreal come to a head in one of his final masterpieces, The Clowns. The film reflects Fellini's childhood obsession with clowns and begins with a young boy watching a circus set up from his bedroom window. Though comical and referred to as a "docu-comedy," this film explores deeper human conditions that resonate through the various clowns who vary from a local sex-crazed hobo, a midget nun, to a mutilated Mussolini disciple. The film diverges from its narrative and dreamy state to a more documentary like approach as Fellini searches out these jesters of his youth in Paris to see what has become of them ending with a funeral for one of the clowns.
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Extra Features:
Un Agenzia Matrimoniale,a short film by Federico Fellini
Fellini's Circus, a visual film essay by Adriano Apra. Fellini expert and film historian, Adriano Apra examines the director's lifetime fascination with the circus while also comparing its stylistic features to other Fellini films.
A 50 page booklet on Fellini's own reflections and notes concerning the genesis and production of the film. Also included in the booklet are exclusive original drawings by the director himself.