Extra Features:

• Commentary features writer Kristen Lopez.
• "Artful Inspiration" (12:57, HD) is dual interview with director Rachel Talalay and artist Gary Basement, who've come together to work on a drawing of Tank Girl, helping to reflect on the character and what she represents in the film. Design elements are highlighted, examining how the look of the character came together for the picture, including a decision to change her costume and hair in every scene. Talalay shares her plans for comic book art and animation in "Tank Girl," with the latter used to cover for budget limitations. Other design elements are celebrated, and the helmer reflects on how she would approach the project today, exploring the possibilities with her now seasoned ways.
• "Gotta Be Me" (14:25, HD) is an interview with actress Lori Petty, who was involved in Pauly Shore's "In the Army Now" when she received the script for "Tank Girl," feeling confident about the part, only to learn that another actress (Emily Lloyd) was hired for the part. Manifesting success, Petty joined the project right before it began filming, scoring the part because she was willing to shave her head. The interviewee recalls her on-set experience, making up most of the character on the spot, and she shares praise for co-stars, including Naomi Watts and the professional ways of Ice-T. Creature effects are analyzed, along with additions from production designer Catherine Hardwicke. Petty closes with reflection on the lasting cult appeal of "Tank Girl."
• "Badass Feminine Energy" (11:28, HD) is an interview with production designer Catherine Hardwicke, who's been devoted to crazy art throughout her life, drawn to the world of "Tank Girl," working hard to get the gig. The shooting experience is detailed, tasked with making something out of a limited budget, having success finding buildings and a copper mine to use along the way. Vehicle work is also celebrated, extending to the use of real tanks for the main characters, and Hardwicke offers excitement over the enduring cult success of "Tank Girl" and its female-led production team. "Donning the Ears" (12:09, HD) is an interview with actor Scott Coffey, who built his early career in teen movies, scoring a part in "Tank Girl" due to his friendship with director Rachel Talalay. Prosthetic work is explored, mummifying Coffey, forcing him to work with mouth appliances and under the scorching Arizona sun, eventually finding partnership with his puppeteers. Co-stars are assessed, bonding with the likes of Ice-T and Naomi Watts. The interviewee remains happy with the work and time with Talalay, sharing pride in its cult longevity.
• "An Eye for the Apocalypse" (11:41, HD) is an interview with casting director Pam Dixon, who explores her career highlights in the 1990s, eventually finding her way to "Tank Girl," excited to work with director Rachel Talalay on a female-driven action film. The casting process is detailed, going out to actresses with the demand that the performer must be willing to shave her head. Dixon doesn't mention any last-minute casting of Lori Petty, stating that she was a top pick from the start. Supporting parts are also examined, thrilled to be working with Naomi Watts, while Malcolm McDowell was a friend, handed a script that he really enjoyed.
• "Punk Rock Post-Apocalypse" (24:03, HD) is an interview with costume designer Arianne Phillips, who tracks her film education, discovering "The Rocky Horror Picture Show" and MTV as a teenager, inspiring her artistic drive and storytelling vision. Talk eventually turns to "Tank Girl," spotlighting mood and fashion choices to help define the characters, also in charge of making most of the outfits from scratch, which was no small effort. Casting choices are explored, with the interviewee delighted to work with the ensemble, sharing some surprise when meeting Malcolm McDowell, who went out of his way to praise her work.
• "Meet the Rippers" (11:51, HD) is an interview with Legacy Effects co-founders J. Alan Scott and Shane P. Mahan, who worked as puppeteers on "Tank Girl." The interviewees were tasked with helping to bring the Rippers to life, recalling their interactions with the actors and the shaping of character personalities. Technical details are provided, examining how the kangaroos moved and reacted, also sharing the long hours required to pull off the visuals.
• "Tank Translation" (15:32, HD) is an interview with storyboard artist and second unit director Peter Ramsey, who's been creative since he was a child in Los Angeles, eventually showing interest in the film business, working his way into bigger gigs, including directing opportunities. The interviewee details his job responsibilities, helping to generate the visual plan for a production, working closely with directors. For "Tank Girl," labor was required to bring action sequences to life, putting Ramsey in charge of a large crew for the first time. The interviewee's career evolution is examined, making his way to DreamWorks Animation, eventually moving on to direct "Rise of the Guardians" and "Spider-Man: Into the Spider-Verse."
• "The Making of 'Tank Girl'" (5:08, SD) is the original EPK featurette selling the creation of the picture. BTS footage, film clips, and cast and crew interviews are provided.
• Original Ending (1:23, SD) is offered in workprint form.
• And a Theatrical Trailer (1:33, HD) is included.