Extra Features:

• Series Promos Produced by David Lynch (1080p, 5:44 total runtime): Briefly unique ads for the show that depict the series' trademark theme played via piano, Lynch eating a donut, images from around Twin Peaks, and more. Included are Piano, Donut, Woods, Places, People, Albert, and In Cinema.
• Twin Peaks: Phenomenon (1080p): A three-part feature. Part 1: Creation (4:42): A look back at the original show's novelty, appeal, and cultural impact. The piece also explores getting the project off the ground and Lynch's groundbreaking foray into television and constructive technique. Part 2: Life After Death (4:52): A look at the original show's all-too-brief run, the ratings decline in season two, cliffhangers to end the original run, the Wrapped in Plastic magazine and Twin Peaks festival fan followings, difficulty in accessibility in the 1990s after the show's run, the series' revival and new fans with the advent of streaming services, the series' influence on today's television, and more. Part 3: Renaissance (4:52): A quick look at the demand for new Twin Peaks content, fan art and music, and fan reaction to the announcement of the new series. Disc Two:
• Comic-Con 2017: Twin Peaks Panel (1080i, 1:01:33): An hour-long discussion and Q&A with MC Damon Lindelof and cast Don Murray, Matthew Lillard, Everett McGill, James Marshall, Kimmy Robertson, Dana Ashbrook, Tim Roth, Naomi Watts, and Kyle MacLachlan. Disc Seven:
• Crew List (1080p, 4:02): Separate from the special features tab, this is a simple white text on black background credits scroll.
• A Very Lovely Dream: One Week in Twin Peaks (1080p, 27:10): A deliberately paced but enthralling piece that features raw on-set footage revealing the making of various moments along with audio interview clips, the latter exploring assembling the story, returning a familiar crew, new and returning cast, similarities and differences in the classic Twin Peaks locations, and the working environment. From September 2015.
• Richard Beymer Films (1080p): A Three-part feature. A Note from Richard Beymer: Text introducing what's to follow. Behind the Red Curtain (29:23): A documentary film shot by Beymer that offers raw, intimate access into shooting in the "Red Room." I Had Bad Milk in Dehradun (28:13): More Beymer footage from the Red Room.
• Rancho Rosa Logos (1080p, 2:22): A string of variously colored logos for the production company.
• Behind-the-Scenes Photo Gallery (1080p): A collection of on-set stills. Users must manually advance through them. Disc Eight: Disc Eight contains the ten-part Impressions: A Journey Behind the Scenes of 'Twin Peaks' (1080p), which is assembled in a manner not entirely dissimilar form the show, with a strange, surreal tone and narrative construction built around its hours of making-of footage. The program broadly explores the making of the show with unmatched insight and access, following Lynch practically every step of the way.
• The Man with the Gray Elevated Hair (29:42): A raw on-set piece following Lynch through making a few scenes, speaking in-depth with his actors, and more.
• Tell It Martin (29:10): More footage following Lynch during the shoot, speaking in candid meetings and phone calls, prepping shots, and guiding actors. From Las Vegas.
• Two Blue Balls (24:16): In South Dakota and New Mexico, a detailed inside look at making various scenes, rehearsals, and set preparations, again with Lynch as the focal centerpiece.
• The Number of Completion (29:19): The locations may change, but the essence of the supplement remains the same: unparalleled access behind-the-scenes as Lynch works his magic, guiding the production and involving himself in every detail of it.
• Bad Binoculars (28:11): Another piece that focuses on the daily grind of the shoot, exploring the nuanced details that go into making the show as perfect as possible. Lynch finds himself examining prosthetics for visual effects shots, pouring over the script, working with actors, celebrating actor wraps, and so forth.
• See You On the Other Side Dear Friend (30:03): Lynch directs himself as he portrays Gordon Cole. Also: more actor wraps, the production moves back to Vegas and South Dakota, Lynch coaches his cast, preps for more makeup intensive scenes, and set ups for various scenes.
• Do Not Pick Up Hitchhikers (26:46): The action shifts back to the suburbs and Lynch coaches an actor via the telephone, constructs a shootout scene, manages his team on a chilly night (and even gets down on his hands and knees at one point to demonstrate his desired process), works with a child actor, and works his magic in a few other scenes, too.
• A Bloody Finger In Your Mouth (26:52): The action shifts to the famous "Red Room," and there are more actor wraps, a return to Vegas, shooting a coffee and pie scene, Lynch guiding cast and crew in an FBI office scene, shooting a scene involving a soft remote control, directing from behind the camera, and more.
• The Polish Account (28:07): To begin, the action returns to nighttime exteriors with Lynch again down on his hands and knees to perfectly assemble a scene. It continues with Lynch directing more children, shooting a newscast scene, filming outside of a motel, working in the desert and suburbs, and more, again with Lynch candidly directing in his now-familiar hard and confident and precise style.
• A Pot of Boiling Oil (38:35): In the last and longest of the ten segments, the Red Room makes another appearance, the action shifts to a few more familiar places, more actor wraps, and crafting a few key scenes. And that's a wrap.