Play Time
Jacques Tati's gloriously choreographed, nearly wordless comedies about confusion in the age of modern technology reached their creative apex with Playtime. For this monumental achievement, a nearly three-year-long, bank-breaking production, Tati again thrush the endearingly clumsy, resolutely old-fashioned Monsieur Hulot, along with a host of other lost souls, into a bafflingly modernist Paris. With every inch of its superwide frame crammed with hilarity and inventiveness, Playtime is a lasting testament to an age tiptoeing on the edge of oblivion.
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