Synopsis: For his 1996 Glyndebourne staging, radical American director Peter Sellars takes George Frideric Handel's penultimate English oratorio - a tale of self-sacrificial love between a Christian virgin and a Roman imperial bodyguard in fourth-century, enemy-occupied Antioch - and, by resetting it in modern-day America, transforms it into a timeless parable of spiritual resistance to tyranny and persecution.
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